This week, I put the question out on facebook and twitter, “what’s your best mixing tip?” I had no idea what types of answers I’d be reading. A few were funny but I found many of them to be the same. Without anything more needing to be said, here is a list of some of those tips.
Top Audio Mixing Tips
- Be careful not to pan so hard that people on opposite sides of the auditorium hear different mixes.
- Get yourself and the band relaxed. Oh and smile it could be a lot worse.
- “Can hear all the instruments” doesn’t necessarily mean “at the same time.” (Another “less is more” variation.)
- 1) take notes during rehearsal and follow them. 2) stop messing with stuff (this one bit me in the butt this weekend)
- Less is more.
- subtract before you add
- NEVER mix w/ ur eyes. It only “looks right” when it sounds great.
- Fix it at the source. And parallel processing for drums whenever possible.
- Reduce before adding when mixing monitors.
- Show up.
- Know who and what you’re mixing. How they should sound.
- Pan L/R to make separation for each item
- 1. Turn up early and test everything. 2. Once the gig starts, your priorities are vocals first 3. Know your equipment
- Open your eyes, open your ears. Don’t get distracted by the shiny LEDs on the mixer
- ” Nobody leaves the concert humming the kick drum “
- Listen! Put your headphones down and go stand in the audience / congregation and listen. Does what they hear sound like it should?
- Have fun with your mix and flow with the band,“Music not in a box”
- Mix with your ears, use headphones only for checking levels.
- Develop a relationship with the band you are mixing. Allows them to trust you.
- Pay attention… Mixing is active and responsive. Don’t ever give in to a single channel of “Set it and forget it” in your mix.
- Love your music team and be one of them… Worship leading is truly a team sport.
- EQ with your ears, not with your eyes.
- Don’t destroy the sound of an instrument with eq-ing it, try to give it, its most natural sound. Mic placement helps a lot with this.
- Start with the on-stage volume level of drums & guitar amps (assuming you don’t run in-ears for everything!). Once that’s perfect the rest of the mix is a breeze! After 20 years it’s still the hardest thing to manage, especially with younger musos. You don’t want discourage them but they need to learn the discipline. Talking small auditorium (300-350 seats).
- Whatever you want to sit in the front of the mix…mix it last during the sound check. And mix with your ears not LED lights and level meters!
- Know where your feedback thresholds are. Are you mixing at the threshold or are you well inside the gain before feedback margin. Your first job, No Feedback!
- I find that some people will mix to their favorite instrument, making it louder than everything else. Kill these people on sight. It’s all about the blend.
- “Mix it up” – don’t just focus for example on the guitars. swell different instruments at different times in the song(s)
- Listen to what is coming to the desk – the muso’s are giving *you* the raw ingredients, it is up to you to blend it and present something sweet to the congregation. Oh, above all – keep the Lead Vocal(s) loud-and-clear… Finally – “have fun”
- LESS is much better than MORE
Question: What tip would you add?
Mixing tip: Trust your microphones. If you use quality mics, place them carefully, and really get the gain right they will sound great and 90% of your work is done. The rest will be easy and fun.
Convince the musicians to play at full volume during sound check. They will hold back to give there self headroom later. I know I am used to do it. haha
When I have any control over a worship team’s practice, I’ll ask them to start with a song they all know. This gets everyone playing and singing their loudest because they know the song. I’ve seen a worship team eat up the first 45 minutes of practice on the first song because it was new to everyone. I couldn’t do much of anything during that time.
Keep an eye on the congregation – Are they engaging with the worship / preach, do they have their fingers in their ears (!) or are they playing on their phones? How can I change the mix to help them engage?
If they are playing on the phones, then you can slap them on the back of the head.
The congregation need to hear the leader and vocals to get their key otherwise it will sound awful